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In 1959, Skeets moved to Columbia Records where he recorded Ray Price-styled shuffles for a few years (several of them actually featuring Price on harmony vocals) before scoring another major hit in 1963 with Call Me Mister Brown.The set is rounded out with his last recordings for Uni, made shortly before his death in 1968.Their performance during this period will decide their fate in the company, sources say.According to sources, the Gurgaon-based company has been bogged down by constant pressure to stay on top in the face of stiff competition from other marketplace giants such as Flipkart and Amazon India, forcing it to crack the whip on poor performers.Klikněte na tlačítko "Pokračovat" a vyhledávejte na základě vašich odpovědí.
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Taken together, Skeets' output not only shows how country music changed over two decades, but how one man could rise above the trends to make simply great beerhall country music.
Born in Arkansas, Skeets' recording career began in Detroit, cutting risque jukebox hits like The Tattooed Lady and Birthday Cake Boogie. Signed immediately to Capitol, he helped define Bakersfield-styled country music, recording classics like I'm Hurtin' (later recorded by Nat 'King' Cole) and Looking At The Moon And Wishing On A Star, as well as Don't Let The Stars Get In Your Eyes.
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